An affordable and bright outdoor TV

PROS

Very bright picture
Good off-angle viewing
Relatively inexpensive

CONS

Light sensor can't be disabled
Outdated smart TV platform
Colors not totally accurate
Muddy shadow details
High input lag with no game mode

 

The Sylvox Pool Series Full Sun Outdoor TV finds itself in a bit of a quandary. On one hand, it gets incredibly bright, and at $2,299.99 for the 55-inch model we tested, it’s downright inexpensive for an outdoor TV. It puts out twice the light of the SunBriteTV Veranda Series 3 ($2,898.95 for 55 inches), and is within spitting distance of the Samsung's Terrace Full Sun ($9,999.99 for 65 inches). On the other hand, its smart TV platform feels like an antique and its colors aren’t particularly accurate. This isn’t a perfect TV, but it’s a strong value if you want a relatively affordable TV you can mount outdoors and watch in the sun.

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Chunky and Weatherproof

You aren’t going to find much variation in outdoor TV designs. Each one we’ve tested has had a similar blocky shape because that’s what’s necessary to make a TV weatherproof. The Sylvox is covered in a matte black metal chassis with a slightly nubbly texture. The bezels measure 0.6 inches on the sides and top, and a full inch on the bottom, which holds the infrared remote sensor in the lower-right corner.

This is quite a thick TV (by modern standards) at 3.5 inches, with a large extension behind the screen shaped like an upside-down Y. This extension holds the TV’s connections, which face down in a recess on the bottom edge and are covered by a screw-on metal door with a foam rubber gasket. The connections include three HDMI ports (one eARC), two USB ports, a set of RCA component video inputs, an optical audio output, a 3.5mm headphone jack, an Ethernet port, and an antenna/cable connector. The PC-like power cable connects here as well, which is surprising for an outdoor TV; most we’ve seen have permanently attached power cables. A standard VESA mount is on the rear as well.

Two remotes are included, one clearly weatherproofed and the other a standard remote. The weatherproof remote is a flat black device covered in membrane buttons. There’s a number pad, a navigation pad, volume and channel buttons, playback controls, and dedicated service buttons for Netflix and YouTube, but they’re all the same circular shape and arranged in a grid that makes it very difficult to use without looking directly at the remote. The other remote is a standard button-laden wand reminiscent of older HDTVs, with a circular navigation pad flanked by a number pad above and volume, channel, and playback controls below. The non-weatherproof remote is much easier to use by feel (though not as much as streamlined modern remotes), but it is vulnerable to drops and splashes.

Apps From an Older Age

The smart TV interface is another blast from the past. Sylvox doesn’t use one of the six major smart TV platforms (even the mediocre Furrion outdoor TV uses a strange, antiquated version of LG’s webOS) and instead runs Netrange. Netrange is a connected system developer that produces Android- and Linux-based smart TV systems and doesn’t seem to have a significant presence in North America.

The menu design of the user interface appears to be Android, but the distinction is academic at best; this isn’t an Android TV or Google TV-based system, but rather a simplified portal that provides access to a few dozen apps and services, and that’s about it. There’s Amazon Prime Video, Netflix, YouTube, and a Plex client, and a handful of smaller apps like Midnight Pulp and an in-TV game where you play Breakout with a Berlin Wall while a pixelated Ronald Reagan watches you. It definitely has a 10-year-old smart TV feel, right down to Facebook and Twitter apps offered under the assumption that people want to use those services on their TV.

Basically, if you want to use most major streaming services, you should get a media streamer that can plug into the back of the TV behind the door like an Amazon Fire TV Stick 4K, Chromecast With Google TV 4K, or Roku Streaming Stick 4K.

Bright Picture, Imperfect Colors

The Sylvox Weatherproof Full Sun Outdoor TV is a 4K TV with a 60Hz refresh rate. It supports high dynamic range (HDR) content in HDR10. It doesn't support Dolby Vision. The TV has an ATSC tuner, but it is not ATSC 3.0.

We test TVs with a Klein K-80 colorimeter(Opens in a new window), a Murideo SIX-G signal generator(Opens in a new window), and Portrait Displays’ Calman software(Opens in a new window). When measuring the TV’s contrast, we ran into an odd hiccup. Like many TVs, the Sylvox has an ambient light sensor that can adjust the screen’s brightness based on the conditions around it. Unlike most TVs, the sensor cannot be disabled (which we recommend for almost all cases). To get the most accurate contrast results in our tests, we had to shine a bright light directly at the sensor to force the TV to boost its brightness. Without this direct light, even in a well-lit room, we measured a very low peak brightness of around 250 nits. This is important to keep in mind if you want to use the TV in the evening.

With the light sensor stimulated, the Sylvox TV showed a peak brightness of 1,121 nits, with little difference between a full-screen white field and an 18% white field. This didn’t vary much between an SDR and an HDR signal, either. Sylvox claims the TV can reach up to 1,500 nits, and this is reasonably close (anything over 1,000 nits is quite bright, and with the light sensor it’s certainly possible that the screen could be boosted closer to the claimed levels). Black levels are high, which is fairly standard for outdoor TVs; we measured 0.362cd/m^2 for a contrast ratio of 3,097:1. This is about in line with the SunBriteTV Veranda 3 (3,631:1 at 722 nits, thanks to its lower 0.199cd/m^2 black level). The much more expensive Terrace Full Sun TV gets both brighter (1,404 nits) and darker (0.17cd/m^2) for double the contrast ratio at 7,606:1.

The above charts show color levels in Movie mode with an SDR signal compared against Rec.709 broadcast standards, and with an HDR signal compared against DCI-P3 digital cinema standards. Even at the warmest color temperature setting, white levels appear overly cool. Whites and cyans are a bit more accurate in HDR, but oddly the primary colors are almost unchanged between the two signals.